Kaylor Lyrics in Midnights/TTPD: A Look at the Connections
Kaylor Lyrics in Midnights/TTPD: Stil piecing together hidden references to Karlie Kloss throughout the tracks, lets look at recurring themes in Midnights
Kaylor Lyrics in Midnights: A Look at the Connections
Stil piecing together hidden references to Karlie Kloss throughout the tracks. While Taylor's lyrics often leave much room for interpretation, the subtle allusions and recurring themes in Midnights feel undeniably linked to her past connection with Karlie, often referred to as "Kaylor."
1. Lavender Haze
Starting with the opening track, "Lavender Haze," Taylor sings about staying in a dreamy state of mind despite external pressures. The lyric, “I just wanna stay in that lavender haze” could be seen as a metaphor for a closeted relationship, where hiding their love was necessary to keep things private. Lavender, historically associated with queer culture and lavender marriages might suggest a longing to live freely in love while concealing the truth from the public eye.


2. Maroon
In "Maroon," the intense imagery of passion and secrecy is unmistakable. Lyrics like, “The burgundy on my t-shirt when you splashed your wine into me” and “The lips I used to call home” evoke memories of a deeply intimate relationship. The use of the color maroon, a darker shade of red, symbolizes something richer and more complex than the pure romantic love of Karlie’s iconic white roses, which are often linked to her and Taylor.
3. Anti-Hero
The self-reflection in "Anti-Hero" resonates with the emotional turmoil of a closeted relationship. Taylor sings, “I’ll stare directly at the sun, but never in the mirror,” suggesting a refusal to face her own feelings. This might hint at the struggle of pretending to be someone she’s not, while navigating her public life and private relationships.
4. Midnight Rain
"Midnight Rain" could easily be interpreted as a reflection on the end of the Kaylor relationship. The lyrics “He was sunshine, I was midnight rain” speak of contrasting worlds—Karlie being the more public figure, and Taylor perhaps needing to hide in the shadows. The contrast between day and night, or light and dark, represents the tension between their public personas and their private selves.
5. Question...?
In "Question...?," Taylor directly asks: “Did you wish you’d put up more of a fight?” This could be a nod to the struggles and misunderstandings that ended her relationship with Karlie. The line, “Did you leave her house in the middle of the night?” brings back memories of their close friendship, often documented in late-night outings, like the famous Cornelia Street sleepovers. The questioning tone of the song feels like Taylor looking back at what could have been, asking herself and Karlie if they could have done things differently.
6. Bejeweled
"Bejeweled" speaks to Taylor’s desire to shine despite feeling overlooked. Lyrics like, “I can still make the whole place shimmer,” and “When I walk in the room, I can still make the whole room shimmer” may symbolize Taylor’s power to command attention, even when feeling overshadowed by others. This could reflect how Taylor remained in the spotlight despite the loss of her closeness with Karlie, who was often described as her “tall lover.”
7. Labyrinth
The haunting tone of "Labyrinth" captures the feeling of being trapped in a cycle of confusion and emotion. Lyrics such as, “Uh-oh, I’m falling in love again,” convey the fear of repeating old mistakes. This song may hint at Taylor's emotional turmoil in the aftermath of Kaylor, falling in love again but struggling with the complexities that come with it.
8. Karma
In "Karma," Taylor embraces the idea of justice and satisfaction. The lyrics “Karma is a relaxing thought” seem to reflect a certain peace Taylor has found. For Kaylor fans, this could represent Taylor’s reassurance that, despite everything, the truth will come out eventually, and she will be vindicated.
9. Sweet Nothing
In the tender "Sweet Nothing," the lyrics “They said the end is coming, everyone’s up to something,” speak to the chaos of public life, but “All that you ever wanted from me was sweet nothing” could point to the simplicity of the love she shared with Karlie, free from expectations. It highlights how, in a world full of noise, their connection was a place of solace.
10. Mastermind
Finally, "Mastermind" showcases Taylor’s calculated approach to her life and relationships. The lyric, “What if I told you none of it was accidental?” seems to suggest that Taylor meticulously planned many aspects of her life, including who she allows close to her. The track’s admission of strategic control fits with the idea that her closeness with Karlie
TTPD
11. Down Bad
In "Down Bad," the lyric “Crying at the gym” directly connects to the numerous photos of Taylor and Karlie working out together during their more public friendship. The gym could have been a place where they could escape prying eyes, a brief moment of privacy away from the media and fans. Another line, “Like I just lost my twin,” highlights the depth of their bond, often described by fans as almost twin-like, given their closeness and the way they seemed inseparable at times. The line “Fuck it if I can’t have him” might be a subtle red herring, given that Taylor has always had the ability to date any man she desires. The “him” could represent societal expectations or the heterosexual facade she feels forced to maintain.
12. Fresh Out the Slammer
The lyrics in "Fresh Out the Slammer" carry a heavy sense of entrapment, possibly reflecting the years Taylor felt trapped in bearding relationships or closeting narratives. Lines like, “I’m running back home to you,” could be read as a yearning to return to her true self or to Karlie, after playing the game of public relationships. “I did my time” hints at enduring those difficult years of public deception, and now she’s ready to reclaim her life.
13. Clara Bow
This track draws comparisons between Karlie and the glamorous women of the past, notably Clara Bow and Stevie Nicks. The line, “You look like Clara Bow in this life,” suggests Karlie’s beauty and timelessness. Karlie has often been referred to as Taylor’s "sunshine," and the lyric “Half moonshine, full eclipse” could be interpreted as their love being partially hidden or eclipsed by societal pressures.
14. Peter
"Peter" brings in themes of waiting and longing. The lyric “In closets like cedar, preserved from when we were just kids” evokes a hidden love that has been maintained in secrecy, perhaps referencing the times when Taylor and Karlie had to keep their connection hidden. The line “You said you were gonna grow up, then you were gonna come find me” could reflect a promise to reunite once their lives align, but for now, Taylor remains in waiting, hoping for the day they can be together freely.
15. Guilty as Sin
The religious undertones in "Guilty as Sin" feel heavy with the weight of shame and guilt that often accompanies being closeted. The lyric “Without touching his skin, how can I be guilty as sin” suggests that it’s not a man she desires, but a woman, and the sin lies in the longing she feels. The phrase “Written mine on my upper thigh, only in my mind” evokes an intensely private and forbidden desire, one that can’t be fully expressed in public.
16. The Prophecy
In "The Prophecy," Taylor alludes to her queerness feeling like a predestined part of her identity, something that has always been within her but hasn’t fully been accepted. The line “Don’t want money, just someone who really loves me” points to the struggles of prioritizing love over fame and fortune, which could explain why her past relationships never quite felt right. The lyric “I got cursed like Eve got bitten” adds another layer, perhaps referring to how her queerness feels like both a blessing and a curse in a world that demands conformity.
17. Who’s Afraid of Little Old Me?
This track’s defiant tone shines through in lyrics like “You don’t get to tell me about sad,” which could be directed at those who try to diminish her struggles. Taylor, despite her fame and wealth, may be addressing the internal conflict of living a life that isn’t entirely hers to control, shaped by bearding contracts or public pressures. The lyric “You wouldn’t last a year in the asylum where they raised me” hints at the emotional strain of living in the closet, an experience that many would struggle to understand.
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